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Ten Ways to Improve the World Cup
1. Each team has a sniper somewhere in the stands. Not real bullets, of course. Paint balls. Snipers can take three shots a game. If you’re hit, you must play dead until the final whistle. No head shots! Goalies can’t be targets. Obviously.
2. Everyone carries a pool noodle. For whacking opponents.
3. The official World Cup mascot is always on the field. He’s never offsides. And he switches teams at his leisure.
4. During extra time, the ball is lathered in zebra’s blood, and two lions are released.
5. The men of the most recent season of The Bachelorette form a team. They start each game with twelve points. You know, to be fair.
6. Every team can magically summon one fictional character to join their team each game. Batman, Harry Potter, King Kong, etc.
7. Water balloons.
8. One sinkhole per game, no more than two meters in diameter. But it’s magic, so once it forms it never stops moving around the field.
9. During penalty kicks, the goalie selects one of the following weapons: fire hose, peregrine falcon, or Tyrion Lannister.
10. After every game, teams link arms and sing “We Are the World” in their respective languages. The coaches saddle the lions and chase the mascot. Michael Bay directs the fireworks, which are of course fired down onto the field.
My review of Suspect by Robert Crais
I’m not a dog guy. Never have been. We had a couple small dogs when I was a kid, but I haven’t been around dogs for twenty years or so. Allergies. Plus all the mess and hassle. They shed, they chew up the furniture, they need shots. You’ve got to walk them, feed them, pick up their poop with a plastic grocery bag. What could be more degrading? But Suspect by Robert Crais makes me want to run down to the Humane Society and get a dog immediately. A big dog. A German Shepherd. I won’t of course. My sinuses would cinch up tight, and my eyes would get puffy. But man, it might be worth it if my dog were as loyal and loving and full of soul as is Maggie, the co-protagonist in this excellent crime thriller. Maggie was a bomb-sniffing dog working with the Marines in Afghanistan before she was wounded and lost her handler. When she partners with a K9 police officer also suffering from his own tragic past, the true pack and partnership of the novel begins. And oh what a novel it is. This is Crais at his best. A crime thriller that sinks its teeth in you and won’t let go, just as Maggie is trained to do. Like all Crais novels, it starts with a bang and then settles into a slow gradual boil as the mystery unravels and the truth comes to light. Honestly, this one is right up there with the best Elvis Cole and Joe Pike novels, which I didn’t think possible. I hope we see Maggie and Officer Scott James is many more thrillers to come. I guarantee you I’ll be there, leash in hand, ready to hook and go along for the ride.
My review of Taken by Robert Crais
My rating: 4 of 5 stars
I love Elvis Cole novels. Crais is a master. He tries a few new techniques in Taken, and I wasn’t a fan of them all, though I did thoroughly enjoy the story.
One such literary technique: Crais flips from first-person point of view with Elvis, the world’s greatest detective, to third-person with every other character in the novel, including my favorite repeat character Joe Pike. You would think this shift in point of view would be jarring, but Crais pulls it off easily.
What didn’t work as well for me was the non-linear story telling. Rather than proceed from start to finish, Crais has us jumping around in time. I listened to the audiobook, and I literally had to stop my iPod and check because I was certain it had inadvertently skipped several chapters. Alas, that was not the case. Crais simply gives us story event #8 right after story event #4 and then comes back later with events 5, 6, and 7. It took some getting used to, and by the time we settled into linear story telling about three fourths of the way through the novel, I was at ease and content.
If there was a reason for this non-linear approach, I didn’t see it. If anything, it hurt the story by revealing events before they happened and robbed us of experiencing them in all their shock and awe. This felt like showing everyone’s hand in a poker game before the betting begins. It took a lot of fun out of the experience.
And yet I still give the thing four stars. Because after all, it is Robert Crais.
Remembering Challenger
I spent most of my childhood in Huntsville, Alabama, just a few miles away from the Space and Rocket Center. We went as a family once, but I never went to Space Camp there, where kids pretended to be astronauts in training for a week. The cost at the time, if I’m remembering correctly, was upwards of $400 to $500, way more than my family could afford. Asking my parents to send me to Space Camp would be like asking them to launch me to the moon. It just wasn’t going to happen.
And yet I dreamed that it would. I used to lie in bed and picture myself wearing the blue NASA jumpsuit every kid was issued. I could see myself sitting in the shuttle simulator, staring out the window at the breathtaking view of Earth far below.
But alas it was not meant to be. I was like the kid who lived smack dab in Orlando but who never got a ticket to Disneyworld.
All of this isn’t to evoke pity on my childhood; I had a wonderful childhood. I only mention it to emphasize that when I was a kid, I wanted nothing more than to grow up and become an astronaut. I had posters on my wall. I checked out books from the library. I got magazines on space. It was my future. I even had my career path outlined. Knowing that a lot of shuttle pilots were former pilots for the military, I intended to join the Navy and fly F-14 Tomcats.
Before the Challenger disaster my family moved north of Huntsville to a tiny community called Elkmont, in the middle of cotton country. My school was K-12. There was one hall for elementary school students and another hall for high school students. People drove four wheelers to school. It was boonies.
Every week I was bussed to a special school for “gifted” children, which really meant “children who could take standardized tests really well.” In any event, I loved this special school. My teacher was fun and brilliant and energized about learning. We made solar-powered hot-dog cookers and learned about writing and the universe and elementary psychics. One of the kids in my class, who was bussed in from another school, and who had gone to Space Camp, occasionally wore his blue NASA jumpsuit, and I’d stare at it in wonder, hoping that he’d grow out of it and give it to me.
On January 28, 1986 my class of geeks and space nerds was scheduled to watch the Challenger liftoff. I had been following the Challenger preparation in the news for weeks, and was nearly jumping out of my skin with excitement. A teacher was going up. A teacher! Someone who didn’t have to be a scientist or a Navy pilot, but a teacher, just like the one I had, bright-eyed and incredibly brave.
We gathered around the TV set in the classroom. My teacher turned on the TV, but nothing happened. She jiggled the wires and turned the knobs, and eventually we learned that the cable connection wasn’t working. We weren’t going to watch the launch after all. I was crushed.
Later my parents told me what had happened. It was like a hammer blow. Everything I had dreamed about was gone in a literal cloud of smoke. I had never dealt with death before, and suddenly the idea took on new meaning. I had watched the crew train on the news. I had seen their press conferences and their smiling faces. They had waved at the crowd. They had been so alive and happy and ecstatic about the mission ahead. I had imagined them in space, floating weightless, conducting their experiments, doing somersaults, laughing, moving about in the cramped space. And now they were gone.
What’s most tragic about the disaster is that the crew was likely still alive after the explosion. The crew cabin was made of reinforced aluminum and especially robust. It detached in a single piece after the explosion and fell in a ballistic arc. When the cabin was recovered, it was learned that several electrical switches on pilot Mike Smith’s panel had been pulled, suggesting that he had tried to restore power as the cabin fell. From Wikipedia:
Fellow Astronaut Richard Mullane wrote, “These switches were protected with lever locks that required them to be pulled outward against a spring force before they could be moved to a new position.” Later tests established that neither force of the explosion nor the impact with the ocean could have moved them, indicating that Smith made the switch changes, presumably in a futile attempt to restore electrical power to the cockpit after the crew cabin detached from the rest of the orbiter.
Whether the astronauts remained conscious long after the breakup is unknown, and largely depends on whether the detached crew cabin maintained pressure integrity. If it did not, the time of useful consciousness at that altitude is just a few seconds; the PEAPs supplied only unpressurized air, and hence would not have helped the crew to retain consciousness. If, on the other hand, the cabin was not depressurized or only slowly depressurizing, the astronauts may have been conscious and cognizant for the entire fall until impact.
Tragic. And awful to imagine.
I would like to think that the crew was unconscious seconds after the detonation. That they mercifully went to sleep and simply never awakened. But we’ll never know.
Regardless, these people are heroes to me. They were when I was a kid, and they are now. They knew the risk, they knew the danger. And yet they zipped up and got on board.
The image taken at the moment of explosion is forever burned into my memory. It represents a defining moment in my childhood, a single event that flipped a switch in my brain and made me realize how fragile life really can be. People die. Accidents happen. Systems fail. Plans go tragically wrong. Dreams aren’t always realized. Good people suffer.
And yet, despite that, despite the hard, ugly reality of those facts, shuttle flights continued. Eventually crews stepped into suits and strapped themselves in tight. We continued to look skyward. We continued to reach up. We were heartbroken but not broken. Giving up was never in the cards.
As for me, I never joined the Navy. Growth spurts continued, and I realized that I was far too tall to squeeze into a Tomcat. Which is probably for the best. I don’t really have the coordination or the stomach for that kind of flying. My love of space never dimmed, however, and I consider myself fortunate that I can still dabble in the universe, even if only in my mind.
As for the Challenger crew, I say thank you. Thank you for inspiring us all. May you forever rest in peace, and may we never forget.
Francis R. Scobee (Commander)
Michael J. Smith (Pilot)
Ronald McNair (Mission Specialist)
Ellison Onizuka (Mission Specialist)
Judith Resnik (Mission Specialist)
Greg Jarvis (Payload Specialist)
Christa McAuliffe (Payload Specialist)
My Schedule at Life, the Universe, & Everything
This year I’m honored and thrilled to be a participant at Life, the Universe, & Everything, a longstanding SF and fantasy symposium in Provo, Utah, being held Thursday February 13 through Saturday February 15.
Why is a science fiction and fantasy symposium taking place over Valentine’s Day, you ask? I’m not sure, but since my wife and I don’t celebrate Valentine’s Day, I won’t be getting into trouble for going.
This year the guest of honor is Orson Scott Card, and I’m looking forward to attending his panels. I’ll also be moderating two panels with Scott, and I’m excited about that as well. My panel schedule is below, but please visit the site to see the symposium’s full schedule. A lot of incredibly talented writers and editors and scholars will be there, so it should be very informative.
There’s also a mass book signing at Barnes & Noble on Friday evening. Currently seventy-seven authors are scheduled to be there, which, to be honest, strikes me as insane. Let me repeat that number. Seventy-seven. I doubt there are ever that many customers in a B&N at any given time, much less authors.
And when there are more authors at a book signing then people buying books, one can’t help but wonder if this is a good idea. There’s an unwritten rule in theater, for example, that if the audience is smaller than the size of the cast, we give the audience their money back and pack up and head home. (You diehard theater nuts will argue that point, I’m sure. “The show must go on! Even if there’s only ONE person in the theater.” Yes, well, actors doing a show eight times a week over and over again would probably disagree with you.)
Anyway, the signing will be an odd event, and that’s reason enough to come and see what happens. I wonder if I could start a food fight? Or, better yet, a book fight? Hmm.
Here’s my schedule. The “M” beside the name indicates who is moderating the panel. Please come say hello if you’ll be in Utah.
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THURSDAY 13
1:00 PM
Writing Children
As adults, convincingly writing a child character can be tricky. This panel addresses ways to make sure your characters act their age.
- (M) Aaron Johnston
- J Scott Savage
- K.L. Morgan
- Lehua Parker
- Sandra Tayler
- Tristi Pinkston
5:00 PM
How to Write a Villain
What do you need to do to write a compelling villain?
- Aaron Johnston
- Charlie Pulsipher
- Heather Ostler
- (M) Helge Moulding
- Robert J Defendi
FRIDAY 14
11:00 AM
Religion in Disguise and in the Open: Tolkien the Catholic, Lewis the Anglican, (Card the Mormon)
- Orson Scott Card
- Dr. Michael R. Collings
- (M) Aaron Johnston
4:00 PM
Action Sequences
How to make a good action sequence fast paced while still explaining things in vivid detail to the readers.
- Aaron Johnston
- Adrienne Monson
- (M) Dan Willis
- J.R. Johansson
- S. A. Butler
- Valerie Mechling
Mass book signing at Barnes & Nobel at 8:00 PM. (330 East 1300 South, Orem, UT 84058, 801-229-1611)
SATURDAY 15
1:00 PM
Ender’s Books: The Author, the Adapter, and the Analyzer
Orson Scott Card wrote them originally. Aaron Johnston adapted them to other media. And Michael Collings tells us what it all means.
- Orson Scott Card
- Michael Collings
- (M) Aaron Johnston
2:00 PM
Writing for Comics
Collaborating with artists is its own skill set complete with conventions and constraints that are very different than conventional prose. Learn from the best how to write stories that will knock the reader’s socks off.
- (M) Aaron Johnston
- Blake Casselman
- C.K. Edwards
- David Baxter